Dominic Miller yet again proves that he is a top-notch guitarist, playing with an ease and somnambulistic confidence that words simply cannot express appropriately. “November” was produced by Dominic and Hugh Padgham, who have been virtually inseparable ever since working on Phil Collins' multi-million seller "But Seriously" (1989).

“November” reviewed by Creative Loafing

For the majority of his career, Argentinean-born guitar player Dominic Miller has used his immense talents to support of other artists. Probably best known as "Sting's Guitarist," a title he bears proudly, Miller's unique acoustic sound can also be found intertwined among the work of artists such as Phil Collins, Level 42, The Pretenders, Chris Botti, The Chieftains and even the Backstreet Boys, to name a few. Even with constant demands on his time and talent, Miller manages to find a few moments for his own solo efforts. His latest album, “November” (Q-Rious Music), reveals a decidedly different side of Miller.

Miller ventured into new territory with “November”, renewing his relationship with the electric guitar, eliminating vocals entirely, and unplugging all of his fancy studio gear. The numbers on “November” were recorded in a matter of days and document Miller's current position in his musical journey…

“November” includes 11 tracks of guitar-driven instrumentals; the players backing Miller include drummer Ian Thomas (Eric Clapton, Seal, Paul McCartney,Tom Jones), bassist Mark King, keyboardist Mike Lindup, pianist Yaron Herman, flautist Dave Heath, sax player Stan Sulzmann and keyboardist Jason Rebello (Sting)…

Stylistically, “November” is much as Miller fans would expect, starting off with the nylon string acoustic guitar-dominated 'Solent', which, less than a minute in, hits you with a bit of tasty electric guitar work. Just when you think you've got it figured out, 'W3' kicks off with a hardcore, Earth, Wind and Fire-reminiscent funk groove. Even then, Miller keeps changing things up by adding a jazz fusion flavors to the mix. This trend continues throughout “November”, giving it an eclectic personality. My vote for the standout is cast for 'Marignane', its dark tone and attitude marked by a sweet sax solo.

Miller sums up “November” best: "One of the rewards of working with so many great artists, like Sting, is that I have the ability to do records like the one I just did, without worrying about sales. I have the luxury of not having to answer to any marketing or anyone else's expectations. So, really I just do what I like…"

I, for one, am glad he did